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Sustainability in the Vernacular
ICAM Senior Project

Progress Images

Initial Proposal

Critique on Architectural Sustainability Through Collage

    For my senior project, I am proposing to generate a fluid collage using changing imagery of historical architecture images and data presenting a critique on the lack of sustainability in modern architecture.  I plan to write a python based program that generates fluid and changing imagery reminiscent of a collage.

    The technical aspects of this project will include python and the pygame library, MPI programming and the Paprika cluster, gathering historical imagery and sources, and digital drawing done in photoshop or procreate. I have experience in all of these technicalities, and will not need to focus on learning new skills beyond writing the visual program, which always comes with a learning curve no matter how much experience you have. This link is an example of one project I did using python and MPI and I also helped to build the Paprika cluster in Winter 2024. 

    As for the project’s budget, I do not anticipate much cost for my project. Since I intend for my program to be written entirely on a computer, as well as my research and drawings to be done digitally, my biggest resource will be a laptop, which I already have. I am considering adding elements to the piece for the showing, like projections, lights, or printed images, but in that case I already have a projector and raspberry pi to run any additional elements. Should I decide to print images the cost should be negligible. 

    For the  aesthetics, I intend to have the look of a collage, combining images and text and color in unique ways. It is also important that there is a fluidity to the changing images on the screen. I also plan to add an element of passing time to the piece, showing change from past to present to future in the images. For the “future” aspect I will be including my own drawings, while the past and present will be based on architectural images and specifically focusing on vernacular architecture. Like most of my other works, I plan to use bright and vibrant colors to convey meaning and add my own visual components to the images I will source in addition to my own drawings.

    For my process, I will start with gathering images and sources, so I have an understanding of the basis of the piece. Once I have more photos than I will use, I will start workshopping the program. I have a general idea of the logic for, and using pieces of code I have already developed as well as the tried and true of trying random code until I like the visual output, I plan to come up with a program that can take the images and generate a fluid collage. From there, I usually adapt the basic visual code to be used in MPI format, adding more elements to it once it is on the bigger screen. Finally, once the code runs with no bugs, I will work on additional presentation aspects, like printed images or projections. 

    Finally, this project fits into ICAM criteria because it is fully based in computer programming, and the accumulation of all the skills I have learned in ICAM classes. Moreover, being able to use the cluster that I helped to build and run is super exciting for me and my work, and I am excited to run a program that has a much heavier load on Paprika, since the only program I have run on there so far was very simple. Lastly, this work is inspired by a number of different artists and artworks I have been exposed to in my life and through the ICAM program. Those include FallingWater by Frank Lloyd Wright, Learning to See by Memo Akten, Hannah Hoch and other Dada collage artists, and a collage done by my mother in architecture school that has always stood out to me as one of my favorite artworks. I’ve included an image of that artwork in this proposal as I believe it greatly informs my aesthetic goals for this piece.

Relevant Works

    My work is inspired first and foremost by vernacular architecture, a style of architecture which is defined as “for the people by the people.” This means that vernacular architecture occurs outside the academic tradition, and instead utilizes local skill and materials to build houses with the form and intent of local tradition. As a result of this process, vernacular architecture is an inherently sustainable practice which exists in harmony with the local landscape and can be easily repaired or rebuilt because of access to the local materials and skills. This also means that vernacular architecture is more disaster resistant, as damages caused by natural disasters are often quickly fixable. I think that studying and learning from vernacular architecture can and should have a huge impact on modern architecture and can inspire more sustainable practices and materials to be utilized based upon locality. I think vernacular architecture is a great example of how even though examples of this style exist globally, they are all built contextually, based upon local environment and tradition. 

    The next two works that have inspired this project are the basis of my aesthetic goals for my work. First, a collage done by my mom in architecture school (see next page) which I have always loved. Next is collages done by Hannah Hoch, in particular Da-Dandy. I think that while visually very different, these two collages have a similar aesthetic in my mind. There is a very surrealist effect created by the combination of different elements (cutouts and pictures) into a collage, which generates a lot of visual interest. For my work, the main difference in my style of collage is that I do not intend to create either a cohesive indoor space or a collage with no clear form, but rather a combination of the two, using architectural images to make statement on the benefits of vernacular architecture and the absurdity of modern architecture in the same context. I still want to maintain the surrealist effect created by collage, however. 

    For technical inspiration, there is no work that is the exact type of program I intend to create; however, I believe my work will mimic generative artificial intelligence works by using a hard coded, procedural system instead of a learning model. The find revelevent work is therefore Learning to See by Memo Akten. This work uses an AI model trained on images of the ocean, sky, and flowers, to turn the video taken by a camera into an image of one of those three things. In the performance, Akten moves around different objects, creating unique forms for the AI to interpret. I like the way this piece takes shapes and translates them into the language the ai understands, and while my piece will not use an AI model, I want to replicate this principle. I think it is a good way to explain the idea of vernacular architecture, how each culture is only able to interpret their world in the local context and builds based upon that experience.

Updated Proposal

ICAM Senior Project: Sustainability in the Vernacular

    In the continuation of my senior project during the next five weeks, there are a number of elements from the initial proposal I want to refocus on, as well as some additional elements I want to reconsider. Like in the initial proposal, I want to use images of vernacular architecture in order to create a python-based program that generates collages which appreciate the unique aspects of vernacular culture like community focus, sustainable practice, and cultural influence. In order to refocus on these aspects, I plan to include more than just architectural images, and have begun to gather images of pottery, art, and native flora to include as well. In my prototype, I developed an old piece of one I had written in order to create a method of generating the images onto the screen without it appearing jarring. This old snippet of code first ran on the exhibition of the Paprika cluster and the Winter 2024 VIS 141A projects, but I have added additional elements onto it in order to “draw” the images from my collection. As the project continues, I plan to gather more images for each location, but I plan to stick with only the 27 countries I have already found so as to not lose focus on the project in the vastness of the regional differences.

    The next aspect, as I stated in my initial proposal, was to use MPI and the paprika cluster in order to exhibit my work. This is a very important aspect of my plan, as MPI is one of the skills I have focused on while

Timeline

Summer Session I

Week 1 (7.1 – 7.7) (Completed)

  • Brainstorming ideas, inspiration, critical themes, and aesthetics for the project

  • Write initial proposal

Week 2 (7.8 – 7.14) (Completed)

  • Due: Initial Proposal (7.8)

  • Gather references and establish a database of images and places that fit in my project (Ex: Korean Hanok, Maori Meeting House, Papua New Guinea Stilt House, Etc.)

  • Establish a realistic timeline for the next eight weeks

Week 3 (7.15 – 7.21)

  • Due: Timeline

  • By Wednesday: Complete database of images (~100) and the full reference sheet

  • Begin the process of editing the photos so they are prepared to be pasted into a collage

  • Begin to assemble basic python program to blit images into the correct coordinates

  • Decide on method/form for website (either python/html or using wix to build a website)

    • If python is decided, begin to watch tutorials on how to build a website through code before Friday

  • Assemble three relevant artworks and write paper (Some artworks were already included in initial proposal)

Week 4 (7.22 – 7.28)

  • Due: Three Relevant Works

  • By Friday: Have a working foundation for python collage building program. Begin to add additional elements like text and color.

  • By Friday: Have website up and running and publicly available

  • By Friday: Prepare presentation slides and notes

  • Begin to consider final drawings, using output of collage program

  • Create Visuals for website and presentation slides

Week 5 (7.29 – 8.4)

  • Due: Presentation

  • Begin to format the base code to run on MPI

  • Decide on length of final project (how many minutes program should run)

  • Continue to debug any issues in program and run a variety of tests

  • Reconsider initial proposal and prepare a revised proposal for the second summer session

  • Decide on additional physical elements for final show (like projections or adding lights to paprika)

  • Continue to refine the website

Summer Session II

Week 1 (8.5 – 8.11)

  • Due: Updated Proposal

  • Continue to refine project based upon the new proposal and goals

  • Discuss curating the final show

Week 2 (8.12 – 8.18)

  • Due: Exhibit List

  • By Friday: Finish drawings and collage elements of program

  • By Friday: Finish all elements of the website, adding all work up until this point

  • Begin Working on show posters/fliers and planning exhibition

  • Continue to refine project based upon the new proposal and goals

Week 3 (8.19 – 8.25)

  • Due: Website/PR

  • Continue to refine project and work on testing, running the program a number of times to fix and recurring issues

  • Assemble any additional parts of project exhibition, like projections or lights

  • Print out poster/fliers for show

  • Print out any additional parts of my project (final drawings or screen captures of collage generations)

Week 4 (8.26 – 9.1)

  • Due: Curatorial Meeting/Poster/Announcement

  • By Friday: Finish project

  • Touch base with everyone participating in exhibit on anything they need to be show ready

Week 5 (9.2 – 9.8)

  • Due: Final Project

  • Run the show on whichever day we choose

Relevant Works References

mom_collage.png
da_dandy_collage.png
learning_to_see.png

Citations: Akten, Memo. Learning to See. 2017. https://vimeo.com/260612034. Hoch, Hannah. Da-Dandy. 1919. Bridgeman-Giraudon. Art Resource, New York.

studying ICAM, and I would like to reflect that in my senior project. However, in the upcoming quarter, I believe I need to focus on these elements especially, as the Paprika cluster may need some work in order to run. Additionally, I will have to test how to run my program in an MPI format, as it is very different from other MPI projects I have made. 

The last aspect of the initial proposal I intend to emphasize more, is the aesthetic of the collage. In my original idea, I had planned for the collage to be more literal, with the pieces working together to create a whole, but in order to not lose the aspect of locality that is so unique to vernacular architecture, I have decided to move away from a more literal approach and instead have the collage be more random and jumbled. I think this helps to show the uniqueness of each vernacular style by juxtaposing the images next to each other, without unintentionally saying vernacular styles should be taken out of their original context as that is the antithesis of what is so special about vernacular architecture. 

    A new element I want to focus on for the show is showing the devolution from vernacular architecture into modern architecture style, and how that has led to a lack of sustainability. In order to incorporate this into my project, I plan to include images of modern architecture towards the end, and hopefully use color in order to emphasize how much it lacks comparatively.

    Finally, my budget for this project remains the same as in my initial proposal. I have not spent any money on this project yet, I less you count my existing Adobe Creative Suite subscription, and do not anticipate any additional costs.

Reference Image Citations:

Running Images

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